Turnstile’s Ascent: From DIY SHOWS TO COACHELLA
By Matt Slater
Turnstile’s Ascent: From DIY SHOWS TO COACHELLA
By Matt Slater
For years, Turnstile operated in the margins, playing DIY venues, cramped floors, and building a devoted but contained audience. What’s happened since is something far less common. The Baltimore band has pushed past the ceiling of hardcore without abandoning it, evolving into one of the most visible acts in modern rock.
Formed in 2010, Turnstile built its reputation the traditional way: relentless touring, word-of-mouth, and records that carried the physicality of hardcore but hinted at something more elastic. Even early on, their sound pulled from funk, alternative rock, and melody in a way that felt deliberately open-ended.
That instinct fully surfaced with Glow On in 2021. The album reframed what a hardcore-adjacent band could sound like in the mainstream. It wasn’t a pivot so much as an expansion, one that brought in a wider audience without sanding down their identity. By the time they followed it with Never Enough, the band had leaned even further into atmosphere and genre fluidity, widening the gap between themselves and the scene they came up in.
Their recent run at Coachella 2026 made that shift impossible to ignore.
Across two weekends in April, Turnstile played a prominent evening slot at the Outdoor Theatre, drawing one of the festival’s most physically engaged crowds. Their set leaned into both sides of their identity: tightly wound hardcore bursts and the more expansive, melodic material that has fueled their crossover.
The performance itself carried a sense of arrival without feeling overly polished. It opened with a pre-recorded introduction from vocalist Brendan Yates’ father, grounding the moment in the band’s history before launching into Never Enough. Midway through, collaborator Blood Orange joined them onstage, reinforcing how far their orbit now extends beyond hardcore.
If Coachella is often treated as a barometer for where music is heading, Turnstile’s presence spoke clearly. They weren’t tucked into an early slot or framed as a novelty. They were part of the core programming, sharing space with major pop and legacy acts, and in some cases outmatching them in raw energy. Reports from the weekend highlighted their set as one of the festival’s most intense crowd moments, a full-circle shift for a band that once thrived in basements.
What makes Turnstile’s rise notable is how little it feels like a calculated crossover. There’s no obvious attempt to chase trends or dilute their sound for accessibility. Instead, they’ve stretched the definition of hardcore outward, letting new textures in while keeping the communal, physical core intact.
That approach has also arrived at a time when rock music has struggled to reassert itself in the mainstream. Turnstile’s success suggests a different path forward, not revival, but reinvention. One that doesn’t rely on nostalgia or strict genre boundaries, but on movement between them.
The result is a band that now exists in multiple spaces at once. They can headline a festival stage, soundtrack a fashion campaign, or still trigger a full crowd pile-on within seconds. Few acts manage that balance without losing credibility on either side.
Turnstile hasn’t just gotten bigger. They’ve made their lane wider, and in doing so, pulled a version of hardcore along with them.